Showing posts with label paper dolls. Show all posts
Showing posts with label paper dolls. Show all posts

Thursday, December 13, 2007

Three Books for the Holidays

I recently found three new books I’d like to recommend:




I collect crèches. Recently Chicago’s Loyola Museum of Art presented an exhibit of over 100 crèches from around the world from the collection of James and Emelia Govan. What a great exhibit! I was quite surprised that I had seen none of the crèches shown. At the exhibit, I made sure I picked up the book written by the exhibitor, James L. Govan. Called Art of the Creche: Nativities from Around the World, this 208-page oversized book (11.3 x 9.8) is filled with large highly detailed color photographs of many of the pieces from the exhibit.

Italian artist Francesco Scarlatella created my favorite piece, a terra cotta family grouping of an old Joseph holding the baby in his lap, with Mary seated beside. The figures sit on volcanic stone from Mount Etna. A marvelous large vignette by Scarlatella of the wise men and family is shown in the book. Creches range from those of professional artists like Scarlatella to a myriad of folk art examples ranging from the abstract to complex, coming from such countries as the United States, Peru, Poland, Czech Republic, Mexico, Germany, France, New Zealand, Nigeria, Sweden, Swaziland, Thailand, Ghana, and Singapore (to name only a few).

I was struck by how each culture interpreted the basic details in their own image: the holy family become the common man, animals become those indigenous to the artist’s country, shepherds, and wise men. Each piece shown tells not only the story of the nativity, but also conveys much about the artist’s culture.

If you are fascinated with crèches also, you be sure to add this book to your library.



I found Terry Taylor’s book Artful Paper Dolls: New Ways to Play with a Traditional Form while on vacation in New York. Taylor has collected a large series of unique and artistic paper dolls done by a range of contributors, including Taylor. The 144 page book (10.1 x 8.7) is in full color. Including some history of paper dolls (such as, Katy Keene, Tom Tierney, original doll artists), traditional paper doll forms are contrasted with shadow box figures, wall hangings, memory dolls, accordion panel books, collage figures. The book is well laid out and offers the viewer lots of creative views of the paper doll form.



The third book is mine. Called The Paper Doll World of David Claudon, I’ve taken 17 sets of the paper dolls I’ve done over the last couple of years and put them in a large size (8.25 x 10.75) 163 page book complete with large full color pages. The book has a casewrap-hard binding. Among the subjects are The World of Samuel Pepys, Elizabeth I transformations, several Renaissance paper dolls sets--The Birth of Venus, Michelangelo and DaVinci, Shakespeare and Taming of the Shrew--Moliere, King Louis XIV, the Sun King, the World of Oscar Wilde and his Importance of Being Earnest, Theda Bara and her film Cleopatra, and Santa Claus. These are sets of paper dolls created in high detail using Adobe Photoshop CS2 and Corel Painter IX. Many of the sets have sold on Ebay. Well, here they are all collected together in book form.

Monday, October 16, 2006

Theda Bara's Cleopatra, 1917


This past week I’ve been intrigued by a silent film classic which I will never be able to see, since the last surviving copies of it were destroyed by fire during the 1950s (one of the problems with storing nitrate film which was highly flammable). The 1917 film, considered by some to be Theda Bara’s most important work, was called simply, Cleopatra. Many of the images from the film have become cultural icons (think Bara’s eyes as the logo for the Chicago International Film Festival).

Eve Golden in Vamp: The Rise and Fall of Theda Bara says that Bara did extensive research on Cleopatra before starting the film. Bara herself felt that the production was historically true to its subject. Looking at the production stills, we see more about pre-WWI fantasies than what life in Ancient Egypt was like. Several of Bara’s over 15 costumes exude pre-Hays Office sex -- appropriately, since Bara was considered the ultimate screen “vamp” (short for Vampire, one who like the prey mantis devours the men who love her). In a couple of cases Bara wears a nude body top, but in some stills she looks very nude underneath tissue gauze and chiffon.

Theda Bara as CleopatraOne of the funniest costumes Bara wears looks very pre-art deco with some French high fashion blending into a futuristic “Metropolis” look. Wearing a vulture headdress with two feathers, the look suggests more sophisticated ant than Egyptian queen. Her flimsy blouse disappears into two straps at the open back. A peplum overskirt a la Poiret covers a skirt with stylized Egyptian motifs and shimmering brocade split trains. French designers of the period can be seen in Haute Couture - Designer Dresses from Gazette du Bon Ton.

Most of the production pictures suggest the actors use of the DelSarte method popular during the late 1800s. François Delsarte had created an acting method which utilized a standardized set of stylized gestures to convey emotions. Much of the overly melodramatic acting the early silent films seems to follow this metod.

After researching the film, I created a new series of paper dolls based on Theda Bara and the film. Check out Theda Bara: Just a Nice Jewish Girl from Cincinnati.

Wednesday, July 19, 2006

Paper Dolls



About 12 years ago, a friend of mine introduced me to the world of paper dolls. I have always been taken with graphic design and I immediately became an afficiando of such artists as Bruce Patrick Jones, Sandra Vanderpool, Susan Sirkis, Donald Hendricks, and Tom Tierney. Since that time I have worked creating my own.

As I began learning Adobe Photoshop SE2, I realized how layers and brushes would help me. This year I began using Corel Painter IX and have moved into a new phase regarding the paper dolls. I have slowly developed my own style and realized I prefer figures that are no taller than 7 inches. (Maybe a remnant of my working with 1 inch scale miniatures.) This summer, as I entered retirement, I have done over 23 pages of paper dolls and I have lots more I want to do.

To see some of the new works check out the following: